Bootleg Film

This bootleg film demonstrates how critical sequential drawing (CSD), functioning as a research method, enables to identify critical shifts in a design process. Each sequence in the seen cycle of drawing produces improved and more accurate versions of and mereological dialogues between topographic maps, sections, details and eventually detailed plans.

The film was made in the framework of this PhD project (Sacred Grounds) as a reflection on the previous research done in my masters dissertation.

By Louise De Brabander